Ned and Meg continue their discussion of design elements from The Prisoner television show. Why is Number Six in black? Why does everyone in town have a cape and an umbrella? Who pairs pea green walls with camel brown textiles? We compare the Disney-like appearance of the village to Portmeirion and rattle off some other works we feel are derivations of the show. Number two in an ongoing, indefinite installment of conversations about this show in specific, and the umpteenth conversation about dystopias. Thanks for listening, wash your hands, watch The Prisoner, don’t infect anyone with coronavirus.
